The Story Close Reads
Unearth the hidden stories buried in world events and cultural phenomena.
- Latest post
- 31 Jan 2024
- Article Count
Four years after his incarceration on Manus, Behrouz Boochani reflects on the writing that helped him hold onto life while in prison—and then to make sense of it after.
Science fiction writers usually imagine far-out worlds for fun (and sometimes money). Now, a select few are doing it in the name of national security.
“After 8:00 p.m. I tend to be very stupid and we won’t talk about this.”
They were the beloved upstarts of the millennial era. Now publications like BuzzFeed and Vice are the ones being disrupted. Where did the dream of the 2010s go wrong?
For years, Jeff Kennett ruled Hawthorn Football Club like he’d once ruled Victoria. Then along came a challenger trained in the art of political storytelling.
The activist investor behind Hindenburg Research is doing the work once reserved for investigative reporters (and making millions in the process). Has he stumbled on a new model for holding corporations to account?
For decades, newsrooms have followed the dictum ‘if it bleeds, it leads’. Experts say a more helpful form of journalism is possible. Will it take a revolution to put it into practice?
Can you post about being laid off without seeming like an unhinged automaton? Comedian Patrick Marlborough investigates the strange, relentlessly happy phenomenon of being fired in the age of LinkedIn.
When the world shut down, writer Fleur Macdonald sought distraction in the 26 paperback books of Lee Child. She came for the punch-ups. She left with a masterclass in fiction writing.
Australians responded to the Queen’s passing in various ways—not all of them glowing. Why aren't these views expressed in our media?
Kurt Vonnegut graphed the world’s most popular stories. Do his diagrams tell us something important about humanity?
The Slaughterhouse-Five author believed there were just eight different story 'shapes'—and that they might be of interest to anthropologists. The anthropologists thought otherwise. But why?
While reporters were busy asking trivia questions, others sat on news that would have sent shock waves through the political system. Will the press learn from its mistakes? Ben Eltham investigates.
The climate crisis has sparked its own literary genre. Is it just morbid entertainment, or could ‘cli-fi’ actually help us avert disaster?
Reality TV is bringing sports like F1 to the uninitiated. Fans say the format shines a light on a world usually hidden from view by media gatekeepers. Others aren’t so sure.
Before he was president of a country under siege, Volodymyr Zelensky was a comedian. Has he transferred the skills he learned on the comedy circuit to the diplomatic stage?
How do you turn 140,000 legal documents into a primetime TV phenomenon? You call James Goldston.
What the story of the “Irish Atlantis” says about our need to make sense of an uncertain world.
Has Grace Tame’s refusal to bargain with power changed the rules around public advocacy in Australia?
The bazillionaire once listed a dozen storytelling elements every Amazon TV show had to include. They say more about our obsession with rules than they do about making good TV.
Why country songs are the tabloid journalism of music (and tabloid journalism is the country music of news)
They're often derided for their ‘so bad they’re good’ wordplay. But there’s a skill to crafting the perfect country song title—and journalists would do well to take note.
If Labor versus Liberal sometimes feels like Campbell’s Soup verus Heinz, that’s no accident.
The conspiracy theory, which borrowed from the creative writing community to tell its story, has more in common with Harry Potter than you might think.